You absolutely need to know about tintype photography! Tintype photography, also sometimes referred to as wet plate or collodion process, is an image making technique developed in the early 1850’s and was widely used through the second half of that century because of its ease of use, its sharpness, and the immediacy of the results. Technically, the wet plate process can be used to shoot negatives on glass which can be used later to create prints or to shoot tintypes which yield a single positive on a dark opaque support.
Jason, a friend from my old job, is a complete film and old camera junky and, with the help of the internet, had been putting together a kit that would allow him to experiment with the process. He introduced me to it and I was instantly hooked. Since then, we’ve been geeking out together and I’ve been helping out where I can on Tintypebooth with the goal of creating a mobile tintype kit. We’ve shot 4×5 portraits at the Venice art walk and Tarfest, and Jason sets up for portraits every Saturday at Bar Nine, a groovy coffee lover’s destination in Culver City.
It’s actually surprisingly simple. The whole process takes about 15 minutes and consists of the following seven steps. Don’t be intimidated by the mention of the various chemicals and other fancy sounding science lab-ey processes; I personally wouldn’t know silver bromide from halide crystals if they wore name tags. You can buy all the stuff you need on the internet.
Although looking at these images on a computer screen really doesn’t do any justice to the feel of handling the actual object itself, I’m including the scans of a couple portraits I did a while back to give a sense of the look.
What’s the appeal of doing tintype?
Stay tuned for part 2 of this fascinating series in which I use very long words to explain why I think tintypes are a very relevant medium to experience in our hyper digital world.
All pictures on this page by Sary Madsen at Tintypebooth